We’ve all been given writing tips that have helped us improve our writing skills.
Hopefully these will help you too.
These are the best tips I’ve been given, you may have different or better ones…
please share them in the comments, as we’re all here to learn and grow!

Said – is not dead… © Lisa Shambrook

1. Dialogue…I try not to go too fancy, I stick to said in general and ignore all those flowery replacements especially the pretentious ones. The internet is full of ‘Said is dead’ and ‘Over 200 ways to say said’, and maybe at school, whilst increasing your vocabulary, it’s great to learn new ways to say said but in a novel be sparing with your speech tags. Editors and authors know that dialogue is part of the story and speech tags are purely there to inform which character is speaking and when. Most dialogue tags should be invisible to the readers so as not to detract from the story.

If you’re character moaned, muttered, grumbled, murmured, and exclaimed all the time, your reader will soon long for a simpler flow of words. By all means sprinkle different dialogue tags throughout your work, but said, asked, answered, and replied are the preferred verbs.

Another important piece of advice I’ll always remember is how to use dialogue tags. I still see people writing: “It was so funny,” she laughed.  *Remember that you don’t usually laugh and speak at the same time. The same goes for sighed, sneezed, and spat for example. The piece of dialogue should finish and the action added in a new sentence or continuation: “It was so funny.” She laughed. (note fullstop and capital letter) or “It was so funny,” she said and laughed. (note comma and continuation adding the action in the sentence).
*edit: If you do use these tags be sure not to overuse them and make sure they work in context, it has been pointed out to me that it is quite acceptable to spit out words and laugh etc whilst talking, and, yes, I’ve certainly spat out an angry phrase before!

Dialogue from Beneath the Distant Star © Lisa Shambrook

2. Lose a good chunk of adverbs, or words ending ‘ly’. Please DO use them where they fit, and sometimes they’re the perfect word, but be sparing. For example if you’re writing about anger show the anger in the context of the story, demonstrate it to your reader through your character – for example (note the bold sentence):

“And it’s your birthday, why are you out here?”

Jasmine’s grin faded and a flushed smoulder spread across her features instead. “Well, at least someone remembered.”

“C’mon, we’ve got presents. Dad’s waiting for you downstairs. He’s waiting for us both. Aunty Rachel’s probably yelling up the stairs at us now!”

Jasmine’s face darkened further at the mention of her mother. “So, at least she’ll know what day it is now.”

I could easily have written:

“And it’s your birthday, why are you out here?”

“Well, at least someone remembered,” said Jasmine angrily.

“C’mon, we’ve got presents. Dad’s waiting for you downstairs. He’s waiting for us both. Aunty Rachel’s probably yelling up the stairs at us now!”

Jasmine’s face darkened further at the mention of her mother. “So, at least she’ll know what day it is now.”

The first example shows how the adverb just isn’t necessary and you learn much more about Jasmine’s response through the description, rather than just telling the reader she’s angry.
See my previous post: Don’t Just Tell Me, Show Me for more information about writing with emotion.
(Example text taken from Beneath the Distant Star book three of my Hope Within novels)

Stephen King On Writing Quote – © Lisa Shambrook

3. Write simply. I love simplicity in my writing. You’re telling a story, not writing purple prose – unless you are, in which case, go for it! This does depend on your style, but most readers are more engaged in a story if it flows and simple words are usually less distracting. Stephen King told us not to be ashamed of our short words, my story is smoother and sleeker if my words, though beautiful and important, carry the reader without removing you from the experience.

That said – make sure your writing does contain appropriate big words unless you’re writing for small children. It was books I read as a child and teen that gave me my extensive vocabulary. There’s a lot to be said for looking up words in the dictionary and learning new ones. And I’m a huge fan of words, simple ones and complicated ones!

Read aloud to find your spelling mistakes…I’m very sure my children were singing not sinning! © Lisa Shambrook

4. Lastly, the Best #WritingTip I’ve ever been given – Read your work out loud, especially dialogue. Reading through your work is imperative, in silence or aloud, but reading out loud gives a further depth to your work. Before reading out loud you’ll be sure there are no other distractions around and your attention is on your writing. You’ll engage more closely with your manuscript and you’ll hear it. You’ll hear the flaws, the way dialogue doesn’t flow, you’ll see the spelling errors Spellcheck didn’t highlight, and you’ll notice awkward sentences and placement. You’ll also hear what does work and be able to enjoy those passages that do!

If you can’t bear reading your work to yourself, find a friend or partner to do it, or use an app, you can even enable Word’s Text Speak command. Give it a try! Reading aloud has enhanced my writing and editing process hugely!

So, these are the tips that have really helped me – what has helped you most?

What makes your writing better?

What are your best writing tips?