Interview with Lisa Shambrook – contributor to charity anthology “You’re Not Alone”

I’ve just had the pleasure of being interviewed by the lovely Christoph Fischer, as a contributer to the charity anthology ‘You’re Not Alone’…

Christoph Fischer's avatarwriterchristophfischer

Youre Not Alone 3d inamge (1)Today I’m welcoming Lisa Shambrook whom I’ve met through our work for “You’re Not Alone”, an anthology in aid of MacMillan Cancer Care. 

This interview is part of a series of blog posts to introduce my colleagues in this endeavour. The anthology is available for pre-order and will be released on July 11. 

Twenty-seven writers from around the world, including myself have entered an assortment of short stories for your pleasure, show your support by liking the new page on Facebook and expressing an interest in buying the book.

Amazon for per-order via these links:

http://smarturl.it/YoureNotAloneAnth
http://bookshow.me/B00Y5RCOOE

You’ll find the Facebook page here: 

https://www.facebook.com/yourenotalone2015

And here is the fund, in loving memory of Pamela Mary Winton

https://macmillan.tributefunds.com/pamela-mary-winto

Tell us a little about yourself as writer and as person. lisa-shambrook-beneath-the-old-oak-paperback

I weave intricate stories infused with emotion and beauty. That tells you a lot about me, I’m one of life’s observers; I notice…

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Writerly friends and Wombat’s Writing Challenge…

dfq minion con UK,
DFQ Minion Con – Nottingham

I have amazing online writing communities – in several places – but the one that’s inspired me for years is #DFQ  and the lovely Anna, and we recently organised a meet up in Nottingham for its UK members. The Cross Keys was our meeting place and we loved the decoration! It was a scene of wonderful writerly delight, invention, and meeting of like-minded souls. We all ‘got’ each other and it was great! 

This is us: Nick, Angelica, Rayn, Lisa (Me), Becky, Miranda, Sorcha, Wombat, Jessica and Alex and during our wordy meet up Wombat issued us with a challenge… He gave us each a first line, picked at random, and to be woven into a story… Here’s my response with its first line italicised:

Genesis

Nick is an average young man, filled with aspirations, struggles, hopes and doubts. He has everything that gives a young man life and a hunger for more. In five minutes he will cease to exist.

Nick bends his neck and stares up into the canopy. Dappled light flickers across the leaves, and he flinches as a glancing beam temporarily blinds him. Blue lights dance in front of his eyes and he grins as his gaze flicks across the foliage in the arboretum. It’s quiet and except for the soft hum of bees his ears pick up no sound.

Goosebumps ripple across his skin as a draught rustles through the leaves. The change in temperature makes him clutch his arms to his chest and his muscles tense in answer to the chill that fills the air. The sun, the light above the woods, begins to dip, to lower beyond the horizon and a lazy orange haze, like fire, shimmers through the tall trunks. Nick’s forehead creases and an urgent thought in the back of his mind begins to stir.

Racing to the front of his head, come memories, flashes of colour, memories of sunsets on beaches, and kisses that taste of salt, and the grit of sand between his toes. Nick shakes his head. It takes only moments for the light to fade and with it the hum of bees retires, replaced with the hoot of an owl and a sliver of white glimmering high above the trees. Nick rubs his arms and he remembers more.

Night life, sitting in a restaurant opposite a chatty blonde, cars rushing by on fast roads, a multitude of lights, orange, red, yellow, neon blue and more. He grins as he remembers a hand holding his, as he stands on a pier watching waves crash across the dark ocean, the moon a twinkling river of diamonds on its surface.

The moon is gone before he has a chance to recall more and birds begin a dawn chorus as he stands on dew damp grass. His memory smiles and despite his boots he feels the wet grass beneath his feet, and daybreak evokes pictures of waking in a tent, of bacon crackling on the stove, and a girlish giggle as he strokes her hair in the new glinting sunlight of the day.

His earlier thought simmers, just beyond reach. Birds now twitter in the canopy and as warmth caresses his skin, Nick grabs at the distant notion.

The clack of a woodpecker tunes his thoughts to fingers on a keyboard, then to a jackhammer on the pavement, heat haze shimmering like dust. The haze clouds his mind, confuses his thought process and impinges his memories. The dazzling sunshine glints, and realisation floods his brain, and he flinches as fragments of glass cut through his mind.

Nothing is real.

Heat fizzes and pops and in a second his thoughts cease.

Nick stands, silent and immobile, and two caretakers trample through the simulated arena to collect his body.

Back at the computer the tech guys shake their heads and begin reprogramming.

Anna is an average young woman, filled with aspirations, struggles, hopes and doubts. She has everything that gives a young woman life and a hunger for more. In five minutes she will cease to exist.

DFQ Minion Con - Nottingham - FUN
DFQ Minion Con – Nottingham – FUN

Author Feature – J. Whitworth Hazzard

Zombies – if you like stories about survival,
about beating the odds against the flesh-eating hordes,
then ‘Dead Sea Games’ is the book for you!
J. Whitworth Hazzard’s Deathwish will keep you biting your nails
as you urge him to outlive the forces against him…

dead sea games, j whitworth hazzard, losing is not an option, zombie book,James Hazzard resides in Illinois with his family and is another author I’ve known for a few years. His writing has enthralled me, and I seriously did bite my nails whilst reading ‘Dead Sea Games’! He has a PhD in molecular biophysics that he now uses to figure out how to scientifically justify the existence of mythical creatures. My kind of guy, I mean dragons – they exist, of course they do! It’s my pleasure to interview him in my latest Author Feature.

James Hazzard, J Whitworth Hazzard, Dead Sea Games,

J. Whitworth Hazzard

J. Whitworth Hazzard

I love the totally original Dead Sea of the title, you’ll have to buy the book to know why, but, with a fair amount of zombie television, movies and books already out there, what made you want to compete and write within this genre of horror?

The honest answer to this question is that I didn’t set out to write in this crowded space. I love the genre, but it’s a small niche in the overall horror space, and I was more interested in the action/adventure aspect of post-apocalyptic survival. Dead Sea Games started out as a flash fiction piece, and after I won the contest it was entered in, I couldn’t leave it alone. I kept coming back to the story and decided I had to know what happened to Jeremy. Thus the novel was born.

Dead Sea Games - J Whitworth Hazzard

Dead Sea Games – J Whitworth Hazzard

You appear to have quite a scientific/mathematical background, from where did you draw your inspiration?

So many years of biophysics, biochemistry, and biomechanics gives you a lot of time on your hands to think about mythical creatures. My very first attempt at a novel used a similar scientific approach to justify how a dragon could survive into the modern world.  After I read World War Z, I came up with pages and pages of theories on how a “zombie” could evolve and survive realistically. There is a huge (and unsolvable) energy transport problem that I solved using…well, now I wouldn’t want to spoil it for you. You’ll find out how I solved the problem in the sequel Dead Sea Escape in 2016.

Your characters are diverse, strong, vulnerable and fully-rounded, and I willed them on right from the start. How much of yourself did you place in Deathwish, or was he drawn completely from your imagination?

Deathwish is an extremely wilful and difficult child that’s been forced to grow up extremely fast. He’s modelled after my own kids (sorry!) with a little more sass and bravado thrown into the mix. There’s a lot of me in Jeremy’s view on life and his situation, except for that part where he yells at his mother…which I would never, never do.

They're out to get you! Dead Sea Games

They’re out to get you! Dead Sea Games

I can really see Dead Sea Games on television or on the big screen; if it made it do you have any preferences for actors or actresses and what sort of soundtrack would you go for?

It’s funny you mention the sound track, because from the very beginning I put together a “DSG Playlist” and would fire it up every time I sat down to write. Some of the lyrics and songs even made it into the book in various forms.

If Jeremy ever makes it to the big screen, I’d like an unknown to get the role. I haven’t seen a teen actor lately that have the kind of physicality and screen presence Deathwish needs, and they grow up so fast anyone I picked today would be in their thirties by the time it was made. All the rest of the cast I have pretty clearly in my head as mainstream actors. All I want in life is to have Jason Statham cast as the Khan. Come on, Jason!

We often talk of the need to create or write because of an innate desire, what does writing do for you?

Writing, for me, is one of those compulsions that builds up over time, and if I don’t write something it starts to drive me nuts. I love writing but it’s difficult to keep up a steady pace, because once I finish a project I can feel empty for weeks. I’m slowly closing in on that 1,000,000 word mark, but I still feel like a novice. For me, that feeling like I have so much more to learn is what keeps me coming back to the process and reaching out to other writers.

Dead Sea Games - J Whitworth Hazzard

So, see if you can survive the Dead Sea Games… I’m not a horror reader in general, but I love The Walking Dead, and this book had me gripped! This is the best book I’ve read in the zombie genre, and with a few other unread zombie books now residing within my kindle, this is the standard they need to reach. Now I’m so excited for Dead Sea Escape!

Dead Sea Games is available on Amazon US and UK and your local Amazon store in both eBook and paperback. Find out more on his Amazon Author Page.

Like myself, James Hazzard works with Blue Harvest Creative, our Publishing Partner.

You can find him on Facebook TwitterGoodreads and Google+. Or feel free to stop by his blog for flash fiction and book reviews at Zombie Mechanics.

The Loss of Laburnum…

Have you ever loved a tree, just watched it blossom and held your breath?

loss of laburnum, the last krystallos, laburnum tree, golden chain,

Laburnum © Lisa Shambrook

When we moved into our home twelve years ago, a scrappy tree stood half way up the garden. It was bare and about fifteen feet tall, with straggly twiggy branches, but beautiful glossy bark. I had no idea what it was until the following spring, when from behind the two rhododendrons, the most beautiful acid yellow blossoms suddenly bloomed, gorgeous golden chains hung from the branches, and brightened my garden.

I’d seen laburnums before, and never been very keen on them, but this one blew me away. It was beautiful, a lovely shape, and the colour accentuated the purple and lilac rhododendrons perfectly. I was sold.

laburnum tree, the last krystallos,

© Lisa Shambrook

laburnum blossom, yellow flowers, the last krystallos,

Laburnum Blossom © Lisa Shambrook

The children climbed it in autumn, hung rope from a branch in the summer to swing on, and we hung homemade insect houses from it too. I was never worried about the toxicity of the tree, well aware of its poisonous nature; all parts are poisonous if ingested. There are other toxic plants in my garden and I’ve always taught my children to respect nature and enjoy its beauty rather than chop down something beautiful due to fear.

There was never a more pleasing sight in my garden than the week the laburnum blossomed. I’d watch for it, watch the buds appear, and wait patiently for the day when a glance out of the window would take my breath away.

I adore trees, of all varieties, and we have a couple of apple trees (Discovery and Worcester), an Abies Koreana (with wonderful purple/black cones), a replanted Christmas tree, a couple of small ornamental firs and the laburnum. I can’t take credit for the laburnum. The previous owner chose it to accompany the rhododendrons, and it was an inspired choice. As it turns out the positioning would be its literal downfall, but inspired all the same.

I’d love to plant many trees, but a 30 x 90 foot garden can only take so many and the garden rises in a very steep slope.

The laburnum in its glory and uprooted © Lisa Shambrook

The laburnum in its glory and uprooted © Lisa Shambrook

It was a very sad day, when three weeks ago I wandered into my daughters’ bedroom, stared out of the window and bit back tears. The high winds of the previous two days had uprooted the tree. Now the twenty-five foot tree lay across my garden, swathed in lemon yellow, and I could only stand and stare.

uprooted laburnum, fallen tree, fallen laburnum, the last krystallos,

Uprooted laburnum © Lisa Shambrook

The loss of a tree might seem small, even unimportant, but it’s still a loss. I recall the hurricane of 1987, when I was fifteen and in Hove. Our local park lost two thirds of its trees and I remember that Seven Oaks lost six of its oaks. A loss of even one tree still hits me.

Trees inspire me and feature heavily in my writing, particularly in ‘Beneath the Old Oak’, where Meg finds solace beneath her tree. Losing my tree was tough. The horizon in my garden will never look the same. Next year, I’ll glance out of the window and something will be missing.

My garden has currently acquired the appearance of a meadow, due to hubby’s long work hours, my writing and bad back, so I don’t know if we’ll replace the laburnum. The whole garden is waiting for an overhaul…so we’ll just have to wait and see…

fallen laburnum. uprooted tree, the last krystallos,

Fallen laburnum © Lisa Shambrook

Have you ever lost an important tree or plant, how did you overcome the loss?

Author Feature – Daniel Swensen

Captivating, riveting, fast-paced fantasy – ‘Orison’ enchanted me.
Today, I get to interview author Daniel Swensen, an intelligent and delightful writer,
in the second of my Author Interviews. If you haven’t read ‘Orison’ yet, do.

orison, the dragon's game has begun, daniel swensen,

‘The dragon’s game has begun’ Orison – Daniel Swensen

Daniel Swensen is a talented writer from Montana and I first discovered him on Twitter and his blog Surly Muse…devouring his advice such as: ‘At the most basic level, characters should enter a scene with a goal in mind and then meet with some sort of obstacle that prevents them from reaching that goal. If you take a look at your scene and can’t find any goal to speak of, then congratulations! You’ve just found a prime candidate for the chopping block.’ (Daniel Swensen: Dramatic Scenes… Surly Muse: April 2012)
His advice helped hone my own writing skills, and when he released his short story ‘Burn’, I was hooked…

Daniel Swensen

Daniel Swensen

Daniel Swensen – Author

Your writing is intense, intelligent and dynamic, and I was immersed in Orison’s plot and characters as soon as I began reading. What helps you to immerse yourself in the writing process?

Thank you! I would say the main tool in my writing process (besides Scrivener and  the act of writing itself) is music. I have a set of playlists that I cue up on my computer whenever I sit down to write. They’re mostly made up of movie soundtracks, ambient, and orchestral stuff, although there are a few songs with lyrics. When I first wrote the draft of Orison, I had a “high gear” playlist for the battle scenes and a “low gear” playlist for the calmer, more introspective parts of the story. The familiarity and rhythm of the music helps me get back in the proper headspace for writing and helps me disappear into the world of whatever tale I’m telling.

Persistence is also key for me. When I first sit down to write, I always struggle with self-doubt, second-guessing, and a rising conviction that whatever I’m writing is terrible. I just have to keep going until I push past that threshold and can start the real work. It’s like the endorphin rush when you exercise — if I can just hold out long enough for that to kick in, I’m fine.

Orison - Daniel Swensen

Orison – Daniel Swensen

When my daughter read Orison she immediately wanted to cosplay Story, do you have a favourite character in the book and why, or why not?

That’s tough. “Favorite,” to me, implies that I’d pick them above all the rest, and I can’t quite do that. I love all the characters. I love how they play off each other. Those bonds and conflicts are what the book is really about. So I feel to take any one of them alone would diminish them.

That said, I loved writing Story because in my own reading, I was having a tough time finding the kind of female protagonist I wanted to see… so I just wrote her. I’m really happy with the results. I love her determination and self-reliance.

I love Wrynn’s dry wit, Dunnac’s sense of honor and stoic humor, and Ashen’s struggle to fit into the world.

If I had to pick a favorite reaction to a character, it would have to be how readers have responded to Ashen. I didn’t really expect him to be a fan favorite, but so many people who have read the book have expressed their enthusiasm and love for the character. I’ve already had some ask when he and Camana are getting their own book!

So, I hate to dodge the question, but I couldn’t really pick a favorite. I love them all too much. I would love to see a Story cosplay, though. I’d feel like I’d “made it” as an author.

If Orison made it to the big screen, which it totally should, who would you love to see playing your characters?

While writing Orison, I actually did some “casting,” to help me find the voices for certain characters.

I’d cast Martin Freeman as Wrynn. He has a soft-spoken affability about him, but there’s iron behind it, and to me that’s the essence of Wrynn. I would cast Mads Mikkelsen as Dunnac — he has that perfect aura of charisma and menace. I could never quite find an actress who really fits how I see Story in my head, but a couple people suggested Ellen Page, and I can see that happening. (I had imagined someone more like Naya Rivera, but that’s still not quite right.)

I’ve actually had this conversation with readers, too! There’s a website called The Imagine Film List where you can propose actors for books if they were to get adapted into movies, and people made some amazing suggestions over there.  Like Simon Pegg for Wrynn and Idris Elba for Dunnac — actors I never would have thought of myself. One reader said Danny Trejo should play Ashen, which I think is an amazing idea. The iflist page for Orison is here.

Map of Calushain - Orison

Map of Calushain – Orison Map and Cover designed by Tracy McCusker

Are there other stories from Calushain, what can we expect from you in the future, and are there other genres you’d like to explore?

There are more stories in the works! I have been working on the Orison sequel, Etheric, for a little over a year now, and still hope to have it out in 2015, although there’s no official release date and I can’t promise anything. After that will be a third (and final) book in the series. I’m also working on another book in the same world, about a young woman finding a fallen dragon-god in the snowy north. The working title is Beneath the Broken Sky, and if all goes well, that might be in people’s hands by 2016. Again, I can’t make any promises.

I’m not entirely sure where I’ll go after that. For some time, I’ve wanted to expand the characters and events of my short story Burn into a full-length urban fantasy novel (or series), but Story and company are taking up all my creative efforts right now. I also want to start generating more short fiction, but I’m learning that staying focused and diversifying my writing efforts is a unique challenge!

Burn - Daniel Swensen

Burn – Daniel Swensen

We often talk of the need to create or write because of an innate desire, what does writing do for you?

The written word is an amazing thing. It lets us communicate information across boundaries of time and space, with people from faraway places who are hundreds of years dead. You can make up a story — characters and situations that are wholly fictional — and if you do your job well, people will react as if those characters were real. They’ll laugh and cry and mourn and feel intense emotions for people and events that never existed. I think that’s extraordinary. Stories are incredibly powerful. More powerful than reality itself in some ways, I think.

But to be honest, I’ve never been one of those writers who sits down every day with unbridled enthusiasm for writing. I’m not wired up that way. My stories tend to grind out slowly, and contentment only happens on the far end of a lot of hard work and anxiety. Those moments of frisson where everything just jumps to life and the prose flows like water — that’s maybe one day a year for me. Two if I’m lucky. The rest is all a hard push through thick mud.

But the connections that I’ve made with people through my writing — the wonderful writers I’ve met, the readers who share their joy with me after finishing something I wrote — they make all of that worthwhile. That’s why I write. That’s where I get to feel the incredible power of the written word: by sharing it with others.

orison-3D-daniel-swensenA great insight into the writing world of Daniel Swensen, and I am so excited for Etheric!

You can find Orison released and available to buy through Nine Muse Press and also available at Amazon.com Amazon.co.uk, all other local Amazon stores and Barnes & Noble in eBook and paperback. Burn is also available at Amazon and Barnes & Noble.

You can find out more at his Amazon Author Page and on Goodreads.

Daniel blogs at Surly Muse and is represented by Nine Muse Press.

Follow him on Twitter, Facebook and Google+.

Running Away and Coming Back Again…

People deal with stress, anxiety and panic in different ways.
I’ve always been a runner
and not in the sense of pounding the streets in Nikes with a stopwatch.
I run. That’s what I do. When it all gets too much I run.

running away and coming back again, Lisa Shambrook, the last krystallos, running away, escape, coming home,

The two main responses are Fight or Flight. I fly. I don’t do confrontation – I avoid it all costs. So much so, that I barely ever answer my own telephone. My initial reaction to anything that makes my heart pound is to run. Even love caused me to run a mile, which hubby discovered after only two weeks. As soon as real emotion got involved, my poor heart fluttered and panicked and I was gone. I hid, refusing to answer the door, or the phone, remaining cowered inside my heart until I pulled myself together and accepted that I felt the same. Thankfully he hadn’t given up. Now twenty-three years later, he is, and always has been, my rock.

drapetomania running away, drapetomania, the urge to run away, the last krystallos,

Drapetomania © Lisa Shambrook

My default setting is to escape, and it’s been that way since I was young. I avoided people, lost in books, writing and drawing as a child. The necessity of school meant I had to run the gauntlet of social activities. I was the quiet one, the shy one, the one in the corner. I didn’t stand out surrounded by myriad friends, but the friends I made at school loved me for who I was.

I ran from school several times. Right out of PE – I ran. After assembly – I ran. I ran with a pounding heart and the desperate urge to flee. I ran with blind panic, with anxiety bubbling inside my chest and with no thought of consequence except escape.

From fourteen I suffered depression, and it reared its ugly head with a breakdown at eighteen. My coping mechanisms crashed and after running for so long, I simply stopped. Getting diagnosed with Post-viral Fatigue/ME (Chronic Fatigue Syndrome – CFS) masked the depression, and allowed me to stop running.

Then I met Vince, my rock. I married young and moved to Wales. If that’s not running, I don’t know what is… Three small children kept me busy and finally gave my life reason. I escaped the CFS after a decade, but my depression and anxiety remained. It took ‘til my thirties, an assault and another breakdown before I faced my demons.

And I run til the breath tears my throat The Alarm Rain in the Summertime

Rain in the Summertime – The Alarm – Meme and Photo © Lisa Shambrook

The reasons behind my running emerged and got confronted. The first time I’d confronted my demon, the person I confided in wept, and I comforted them. Then I continued running.

I’ve run from home – just upped and left. I’ve driven away, miles and miles, with no intent to return.

I’ve dreamed, and planned, and run.

I always wanted to escape.

But there was never anywhere to go – so I always came back.

Coming back taught me things. I learned that running doesn’t get you anywhere. It takes you away, it provides emotional distance, but it doesn’t fix a thing. I learned that antidepressants have their place, but they don’t offer solutions. I learned that talking was the only way to move ahead, but the NHS denied me that option. I learned that trust was earned and that the only people who offered me that were already close. I learned that I had value, that I was someone worth loving. I learned to rely on and trust my husband and my children.

They saved me. 

I learned that support is much more than a network, it’s real friends, real people who offer tangible love. I learned that one friend noticing and recognising a self-harm scar can ultimately save your life. I learned that to value yourself, you must love yourself. I learned that when you can’t trust or lean on society, then lean on those who love you. I learned to value myself enough to accept help.

dandelion clock, wishes, lisa shambrook, the last krystallos,

Wishes in Bluebell Woods © Lisa Shambrook

When you feel that life is too much, don’t suffer in silence, talk. Talk to anyone who’ll listen. If you can get professional help, do. If antidepressants help, take them. Try not to run, but if you do, always remember those you can trust, those who love you, those who need you. 

Thank goodness for those you can come back to.

For help with Generalized Anxiety Disorder and Depression see your GP or Health Provider.

Beneath_the_Old_Oak_front_cover_finalRead more of running away in ‘Beneath the Old Oak’ available in paperback and eBook on Amazon and Etsy.

‘Turn those dreams of escape into hope…’ Meg thinks her mother is broken. Is she broken too? Meg’s life spirals out of control, and when she mirrors her Mum’s erratic behaviour, she’s terrified she’ll inherit her mother’s sins. Seeking refuge and escape, she finds solace beneath a huge, old oak. A storm descends, and Meg needs to survive devastating losses.

The Adventures of Katie Button – Lizzie Koch

It’s a delight to begin a short run of Author Interviews with Lizzie Koch,
the author of newly released The Adventures of Katie Button.
If you’re looking for a fun read, you’ll have just that with Katie! 

I’ve known Lizzie for a while, having written on the Flash Fiction circuit with her, and she’s one of the most genuine people I know! She’s cheerful, warm, passionate and fun, and her writing reflects her personality. 

The Adventures of Katie Button - Lizzie Koch

The Adventures of Katie Button – Lizzie Koch

I decided to take the opportunity of interviewing Lizzie to coincide with the release of her debut novel, so come and take some time to get to know a great new writer…

Katie Button is fun, ditzy, distracted, and passionate, is she like you, Lizzie, or did you create her entirely from imagination?

Haha, good question. Katie Button is pure fiction. However, I like to think I’m a fun person to be around. My lovely Yankee Doodle Dandy friend, who I work with, is the ditziest person I know so maybe hanging around with her for a decade has rubbed off in my writing. As for the passion, I don’t think I’d be here now, talking with you if I wasn’t passionate. Without passion, a story can fall flat, without passion there’s no drive. So yes, I’m extremely passionate.

This book came out of NaNoWriMo, did you always want to become an author, what made you write about Katie Button?

I actually always wanted to become a police officer which I achieved. That was the only job I planned for. The rest of my life just happened, including writing. After successful flash fiction pieces, I heard about Nano and thought ‘why not?’ I love the excitement of deadlines and writing under pressure. And doing it alongside friends, Nano didn’t feel impossible.

I don’t know where the idea came from for Katie Button.  Probably during the night where most ideas decide to pop into my head! In fact Katie started out as Emily but Hubby said he heard the name Emily Button somewhere so we googled it and turns out it’s a rag doll. How he knew that, I don’t know. So Katie was born. I wanted a fun, memorable name but also a name that would work across history, alongside my highwayman flash fiction piece. But I didn’t feel confident in writing a full blown historical piece so my novel sort of shaped itself as I wrote.

If Katie made it to television, would you love to see her in a movie or a TV series, and who would you love to play her?

I have a secret board in Pinterest, showing my characters. I was going to share but then I didn’t want to put ideas in my readers heads as to what they looked like as people generate their own idea of characters. But on my Pinterest board I have Emilia Clarke from Games of Thrones (which I can’t watch as too violent for my fluffy mind). She has that cute, girl next door smile and looks bubbly and fun.  And she’s British which is vitally important,  don’t want another awful attempt at a British accent although Renee Zellweger’s Bridget Jones was fab. A movie would be fantastic a la Richard Curtis.

I’ve read much of your flash fiction and short stories, and you’re able to write in many different fields. Did you always want to write romance, will you write more romance, or are there other genres you’d like to explore?

I love romance. Everybody needs some romance in their lives. To be honest, I though it was all I could write as it was all I read. Sophie Kinsella and Lisa Jewell are my favourite authors and I devour their books! Flash fiction opened my mind and broadened my horizons.  I’ve written about a zombie apocalypse, vampires, dabbled in a bit of steampunk and horror. But the romance pulls me back. So more romantic shenanigans from me but maybe with different settings. There’s a Katie Button sequel in the works. But never say never. I mean Katie Button started with a piece of flash. I do like a challenge!

The Adventures of Katie Button - eBooks

The Adventures of Katie Button – eBooks

We often talk of the need to create or write because of an innate desire, what does writing do for you?

Writing is a form of relaxation after a long day at work. I find it very therapeutic and satisfying just tapping away at the keys, in my own little world, shutting out the TV the boys are watching, and talking with my characters. I don’t write everyday (I know I should) but that doesn’t mean I’m not thinking about plots and characters. Sometimes I just need to sort out in my head where it’s going before I commit to paper. By sort, I mean hold conversations in my head between my characters and me.  Of course, writing for me is not a solitary activity. When you write a piece of flash, you read other submissions, you leave comment. You share and talk about it. It’s a sense of belonging and achieving something I love most.

lizzie-koch-adventures-of-katie-button-2015Thanks so much for joining me, Lizzie, you’ve given us a lovely insight into your writing and ideas!

You can find Lizzie Koch’s debut novel The Adventures of Katie Button, released through Crooked Cat Publishing, at Amazon UK, Amazon US, all other local Amazon stores and Smashwords

She blogs at 40 Something Undomesticated Devil

You can tweet her  @Lizzie_Koch

She’s addicted to Facebook, here’s her Facebook Author Page: Lizzie Koch Author

You can also find her on Pinterest, Instagram and LinkedIn.

10 Early Summer Flowers that Delight…

As summer sunshine warms us, nature’s early blooms enchant with colour and beauty…

ten-early-summer-flowers-that-delight

What late spring/early summer flowers are nodding in your gardens?

aquilegia, columbine, granny's bonnet,

Aquilegia © Lisa Shambrook

Aquilegia: often known as Granny’s Bonnet or Columbine, the common name ‘columbine’ comes from the Latin for ‘dove’, due to the resemblance of the inverted flower to five doves clustered together. This flower is one of my favourites. It surprises me every year with its array of colours and varieties, from single star like petals to full, double, frilled and hooded flowers. It blooms amid my meadow of grass with gorgeous nodding flowers from white, to pink, to red, and every shade of purple you could imagine. Each year some interbreed and arrive with the most delightful combinations.

Astrantia and garden snail © Lisa Shambrook

Astrantia and garden snail © Lisa Shambrook

Astrantia: such a simple flower with pink blushed white petals infused with green, or strong ruby red. They are commonly known as masterwort. Grown in cottage gardens, they offer medicinal properties containing an essential oil which can help with digestive problems.

tulips, tulips and raindrops

Tulips and diamonds © Lisa Shambrook

Tulips: the ultimate late spring flower, a companion to daffodils, but flowering on into early summer. I love tulips, and although there are so many varieties, parrot, frilled, single, double, tall, short – my preference lies with simple bold colours, usually reds, purples and white. I adore white tinged with green!

ragged robin,

Ragged Robin © Lisa Shambrook

Ragged Robin: lychnis flos-cuculi, is a perennial that’s often found growing in wetter areas such as marshes, fens and wet meadows. Its ragged petals never fail to enchant me!

solomon's seal,

Solomon’s Seal © Lisa Shambrook

Solomon’s Seal: another cottage garden plant which produces beautiful arching stems and an arc of green tinged white dangling bells. They’re more associated with woodland shade, but look gorgeous strewn throughout the garden, a delight planted with dicentra, bleeding heart, in late spring.

iris sibirica, iris, purple iris,

Iris © Lisa Shambrook

Iris: one of my most favourite plants. The iris sibirica or flag iris flowers earlier than bearded irises, and my favourites are a mixture of white and purples. I have a stunning clump of water irises in my pond and they make me excited to wait for my bearded irises! Little iris reticulata, dwarf iris, flowers quite early, and the rule of thumb is the smaller the iris the earlier it flowers.

clematis montana,

Clematis Montana © Lisa Shambrook

Clematis Montana: I love all clematis, but the montana, spreading across vast spaces and festooned with blooms is amazing. They also flower earlier than the large flowered varieties. Subtle in pink and white, when you see a cottage covered with clematis montana it’s a real sight to behold!

arum lily, zantedeschia,

Arum Lily © Lisa Shambrook

Arum lily: zantedeschia, again, although I love calla lilies and stargazer lilies, and all varieties of lily, the arum with its pure simplicity is the one that bewitches me. A white spiral that opens into a delicate spathe just delights me. It dies away completely over the winter then has the most gorgeous green leaves that push through in spring and I can’t wait for it to flower!

campanula, campanula star of bethlehem,

Campanula Star of Bethlehem © Lisa Shambrook

Campanula: another cottage garden flower that I get impatient to see. A carpet of purple, a sea of blue, and I love how it grows in ever-expanding clumps and waterfalls across garden walls. I think it reminds me of my love of bluebells, which have just stopped flowering when the campanulas blossom. There are so many varieties and sizes, but the Star of Bethlehem is my garden favourite.

ox-eye daisy,

Ox-eye Daisy © Lisa Shambrook

Ox-eye Daisy: again, pure simplicity plays its part in my garden, and I love how it grows along the road-side, across fields and everywhere! Leucanthemum vulgare a large, yellow centred daisy, that enchants with ease.

iris white iris, aberglasney gardens, wales,

© Lisa Shambrook – Iris – Aberglasney Gardens, Wales

These are my garden staples for early summer…how is your garden blossoming? 

What are your favourite flowers as the sun peeps through? 

Don’t Just Tell Me, Show Me – How to Write with Emotion

Make me feel your story, make me sense it and experience it.
Take me into your world, and let me live it with your protagonist.

how to write with emotion, don't show tell, show don't tell, the last krystallos, I’m an emotive writer, and my pieces concentrate much on the senses and the old adage: show, not tell. Not every writer swears by this approach, but my writing works more in this field than with explanatory description.

Emotions rule our world and fuel our stories, without emotion our stories become a boring and grim lists of actions. Stories begin with a dilemma and continue with the reactions to that impasse. All our reactions are emotional, we’re human beings, not robots, and even if you’re writing about robots, your story will need emotional content if it is to survive!

Showing emotion is vital to fire up your writing.

life and characters, charles dickens, lisa shambrook, the last krystallos,

Life and Characters © Lisa Shambrook

Don’t tell me your protagonist is angry, show me their fury, show me the whites of their eyes, that vein that throbs in their temple, the clenching of fists, and the heat flushing through their body… Don’t tell me your character is sad, show me them picking at their food, their trembling chin, glistening eyes, show me how their voice breaks as they utter words, and how their hopelessness demonstrates itself by listless expressions and hands hanging at their sides… Don’t just say they’re happy, let me see their mouth curl in delight, their laughter lines, how they dance as they walk, a lightness of being, their confidence and relaxed shoulders…

Writers can use speech to demonstrate emotions, but nonverbal cues are even more important. We are told that body language conveys more information than words ever can. Statistics say that: words (what is said) account for 7% of the overall message we hear, tone of voice (how it is said) accounts for 38% and body language accounts for 55%…so 93% of all communication is nonverbal.

Let’s look at an example, and because May was Mental Health Awareness Month, and I missed it due to chaotic family obligations, let’s look at anxiety:

In this chapter from ‘Beneath the Old Oak’ Meg’s mum is getting impatient, irritated and her anxiety manifests. First, a basic excerpt:

“Excuse me?” said Meg’s mum. “Could we please try these in a size four?”
The sales-boy nodded. As he disappeared Mum glared at the whining child as his mother took the football boots from him. Mum glanced at her watch and sighed.
Meg moved to her mother as the boy and his mum left. Mum ignored her daughter’s grin. “He’s going to be a real brat one day. Ah, here are yours.”
The sales-boy returned with one trainer. “I’m sorry,” he said, “only got these in a three and then a seven, sold out.”
“That’s a vast difference in sizes, no others in stock? This is a shoe shop isn’t it?” said Mum.

This paragraph works in that we can see Meg’s mum is trying to get trainers for her daughter and we can see she’s getting irritated, particularly by another customer and her son, but we can’t really feel the emotions surging within her. Let’s try the paragraph again with some small additions:

“Excuse me?” Meg’s mum waved the black trainer at the sales-boy over the child’s head. “Could we please try these in a four?”
He nodded, adding the trainer to his teetering pile of boxes. As he disappeared Mum glared at the whining child as his mother tried to prise the football boot from his grasp. Mum glanced at her watch and pulled an old receipt out of her pocket. She stared in the direction of the stockroom and began tearing the receipt into thin strips.
Meg sidled up to her mother as the boy’s mum finally wrested the boot from him, returned it to the shelf and dragged him away, his complaints still echoing. Mum ignored her daughter’s grin. “He’s going to be a real brat one day. Ah, here are yours.”
Meg noted the single trainer in the sales-boy’s hand. “I’m sorry,” he said, “only got these in a three and then a seven, sold out.”
“That’s a vast difference in sizes, no others in stock? This is a shoe shop isn’t it?” The receipt in Mum’s hand turned into confetti.

We immediately have more information about Mum’s impatience, as she waves the shoe over the other customer’s head. We see the sales-boy is busy, with teetering boxes. We also see the strain between the other customer and her son in two additional sentences. Meg notices only one trainer in the sales-boy’s hand, which adds to the tension. Finally we make an addition that shows the anxiety building inside Meg’s mother, and this is in an unconscious action displayed by her. Think about things you do when you’re anxious and include them in your writing.

Meg’s mum pulls an old receipt, a piece of paper, from her pocket. It’s irrelevant except for the action which will show you her state of mind. She begins to tear it into strips, and the final sentence shows you just how much her anxiety is rising, by the fact that she’s ripped the receipt up into tiny pieces, like confetti.

Meg’s mum’s anxiety grows as the chapter proceeds.

“Stupid boxes…” Mum groaned as she tried to fit the bulky shoes into the tight box.

“And it’s too hot! We come in wearing coats, because it’s winter. Why do they make it so hot?” Mum trembled, her fists clenching and unclenching at her sides.

Meg’s sigh matched her mother’s as she pulled off the shoes. She left her mum to pack them away and moved, in her socked feet, back to the display. Not a moment later she heard a frustrated grunt and a trainer flew past her ear. It rebounded on the wall and knocked three shoes to the ground. Meg ducked and twirled round. Her mother stood, red-faced and furious.

See how the actions clue you up on Meg’s mother’s growing anxiety, irritation and irrational behaviour.

emotion thesaurus, angela ackerman and becca puglisi,

The Emotion Thesaurus – invaluable!

We’re often told to write what we know, and I’m lucky, or unlucky – your call, as I know what anxiety feels like. I’m able to write from experience and convey the very emotions I’ve undergone in my own life in my writing. But what happens if we’ve never experienced the things our characters do? After all, the average murder mystery wasn’t written by a killer! One of the most comprehensive resources I have is The Emotion Thesaurus, it’s invaluable! Written by Angela Ackerman and Becca Puglisi, you won’t find a better guide to character expression out there*.

“As writers, we must take our innate skills of observation and transfer them to the page. Readers have high expectations. They don’t want to be told how a character feels; they want to experience the emotion for themselves. To make this happen, we must ensure that our characters express their emotions in ways that are both recognisable and compelling to read.”
(The Emotion Thesaurus Introduction)

So, fire up your writing, infuse your stories and take me on an adventure…
don’t just tell me, take me with you!

the emotion thesaurus, angela ackerman and becca puglisi,

From The Emotion Thesaurus

Note I have no arrangements or sponsorship through or with The Emotion Thesaurus or its authors, I just believe it’s a darn good book!

Beneath_the_Old_Oak_front_cover_finalTo read more of Meg and her mum’s battles, ‘Beneath the Old Oak’ is available in paperback and eBook on Amazon and Etsy.

‘Turn those dreams of escape into hope…’ Meg thinks her mother is broken. Is she broken too? Meg’s life spirals out of control, and when she mirrors her Mum’s erratic behaviour, she’s terrified she’ll inherit her mother’s sins. Seeking refuge and escape, she finds solace beneath a huge, old oak. A storm descends, and Meg needs to survive devastating losses.

Blues Buster: Eminence Front

© Lisa Shambrook

© Lisa Shambrook

The crowd’s roar and applause made her cringe, the noise, so loud, so big, and so cloying. Sarah gazed through the colours, through the bobbing heads, and saw only frontrunners sprinting across the finish line.

Silver foil flashed, the sun catching it and blinding Sarah momentarily. She blinked and eased back. Trumpets bugled and hooters hooted, cheers and cries of congratulations rose over the onlookers, and Sarah glanced up at the big screen on the building opposite. She squeezed herself into a small spot on the wall and pulled her legs in close.

The winners, the frontrunners, smiled on the screen. Teeth and twinkling eyes pixelated and jumped as the competitors caught their breath and accepted adulation. Sponsors raced forward to position themselves, banners rising with winners, and products placed in advantageous sites. Cameramen arced down to legs attached to pistons and blades, shiny carbon-fibre appendages in racing black decorated with beads of sweat.

The winners had the best equipment, the biggest sponsors, the most money, and Sarah sighed.

Even pixelated the racing blades, the prosthetics, and the artificial limbs shone as state of the art. Money bought winners, and winners bought sponsors, and from the crowd’s clamour about her, that bought adoration and fame. She bit her lip and climbed into a standing position to stare down the road, but only shiny blades continued to catch the light and glare back at her.

She steeled herself, pushed the encroaching crowd away, and settled back down on the wall.

For a couple of hours she listened as the crowds cheered the marathon runners, and watched as they dwindled as the prosthetic tech became less impressive, and the sponsors less memorable.

Finally, light faded, the tech reverted, and the hum of the crowd declined.

Sarah scrambled to her feet, and clung to the lamppost beside her. She stared down the road, but the low light made it difficult to see. Floodlights suddenly devoured the dusk and Sarah blinked again, shielding her eyes from the dazzling brilliance. Black spots danced before her vision, as the big screen suddenly snapped back on and focussed on the empty road.

Sarah’s stomach lurched, and her heart rose with hope and anticipation. She pushed through the muddle of people still left, those who’d lost interest hours ago, but hung around with the hope of a last minute story. And here it was.

Sarah’s eyes glazed as a dot on the horizon grew steadily bigger. She glanced up at the screen as it pixelated and focussed. Far down the road her son approached, a lone walker, a figure shuffling forward with determination and grit. Sarah didn’t even try to stop the tears that rolled down her face. Every fibre of her heart reached out to the boy, every ounce of strength, of resolve and stamina poured down the road to her boy.

The TV screen adjusted and the image sharpened, and the remaining crowd visibly held their breath.

Sarah’s heart swelled to proportions she’d never before encountered and she thought she’d burst. Tears glistened in every eye as her son limped, and dragged his foot, his leg-brace no longer holding him steady. The buckles broken, the metal, bent, but the lad still walked with his head led high, and his brow shimmering with diamonds of perspiration.

Gasps trickled through the audience as barriers broke, and suddenly athletes, runners and racers who’d finished the marathon hours before, surrounded the boy. Carbon fibre blades, and modern artificial appendages, accompanied the teenager with the broken brace and twisted leg, and silence suddenly blossomed into cheers.

Applause echoed throughout the darkening streets, and Sarah wept as her son’s smile filled the big screen, as his shuffle moved him forward and the pain on his face diminished with pride.

He crossed the line, with as many onlookers as the frontrunners, and Sarah caught him in her arms. They both knew you didn’t need money, or sponsors, or anything more than love and belief, to win.

(663 Words)
@LastKrystallos

My story for Jeff at The Tsuruoka Files Blues Buster. The song prompt is The Who’s Eminence Front. Check out the other stories!